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	<title>Cineblog &#187; 1954</title>
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	<link>http://www.cineblog.info</link>
	<description>Blog de cultura cinematografica</description>
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		<title>Shichinin no samurai (1954)</title>
		<link>http://www.cineblog.info/shichinin-no-samurai-1954/</link>
		<comments>http://www.cineblog.info/shichinin-no-samurai-1954/#comments</comments>
		<pubDate>Tue, 30 Mar 2010 15:00:06 +0000</pubDate>
		<dc:creator>Marius</dc:creator>
				<category><![CDATA[Acţiune]]></category>
		<category><![CDATA[Dramă]]></category>
		<category><![CDATA[1954]]></category>
		<category><![CDATA[Akira Kurosawa]]></category>
		<category><![CDATA[capodopera]]></category>
		<category><![CDATA[filme bune]]></category>
		<category><![CDATA[Isao Kimura]]></category>
		<category><![CDATA[Oscar]]></category>
		<category><![CDATA[recenzie]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[seven samurai]]></category>
		<category><![CDATA[Takashi Shimura]]></category>
		<category><![CDATA[Toshiro Mifune]]></category>

		<guid isPermaLink="false">http://www.cineblog.info/?p=7690</guid>
		<description><![CDATA[Cel mai popular export cinematografic al Japoniei este probabil filmul cu samurai. Însă această temă nu a fost tratată doar pe marile ecrane; cărţi, casete, DVDuri înglobând acest cult al samurailor au reuşit să împânzească întreg mapamondul. Fără dubiu, cel mai relevant film al acestui gen este capodopera lui Akira Kurosawa, Shichinin no samurai, producţie care a avut un impact artistic masiv şi a setat ...<p><a href="http://www.cineblog.info/shichinin-no-samurai-1954/">Shichinin no samurai (1954)</a> is a post from: <a href="http://www.cineblog.info">Cineblog</a></p>
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		<title>Rear Window (1954)</title>
		<link>http://www.cineblog.info/rear-window-1954/</link>
		<comments>http://www.cineblog.info/rear-window-1954/#comments</comments>
		<pubDate>Sun, 21 Mar 2010 17:36:03 +0000</pubDate>
		<dc:creator>Marius</dc:creator>
				<category><![CDATA[Romantic]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[1954]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[capodopera]]></category>
		<category><![CDATA[filme bune]]></category>
		<category><![CDATA[Grace Kelly]]></category>
		<category><![CDATA[James Stewart]]></category>
		<category><![CDATA[Oscar]]></category>
		<category><![CDATA[recenzie]]></category>

		<guid isPermaLink="false">http://www.cineblog.info/?p=7614</guid>
		<description><![CDATA[A vedea nu înseamnă întotdeauna a crede 
Voyeurismul este o tulburare psihică, de cele mai multe ori cu tentă sexuală, prin care o persoană obţine satisfacţie din urmărirea în secret a vieţilor altor oameni. Dacă ne gândim bine, cu toţii suferim de o oarecare formă a voyeurismului; vizionarea unui film nu este altceva decât o poartă spre viaţa unor personaje, fie ele reale sau fictive. ...<p><a href="http://www.cineblog.info/rear-window-1954/">Rear Window (1954)</a> is a post from: <a href="http://www.cineblog.info">Cineblog</a></p>
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		<title>Dial M for Murder (1954)</title>
		<link>http://www.cineblog.info/dial-m-for-murder-1954/</link>
		<comments>http://www.cineblog.info/dial-m-for-murder-1954/#comments</comments>
		<pubDate>Thu, 22 Oct 2009 12:25:04 +0000</pubDate>
		<dc:creator>Alexandru Ţîrdea</dc:creator>
				<category><![CDATA[Thriller]]></category>
		<category><![CDATA[1954]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[BAFTA]]></category>
		<category><![CDATA[capodopera]]></category>
		<category><![CDATA[filme bune]]></category>
		<category><![CDATA[Grace Kelly]]></category>
		<category><![CDATA[Ray Milland]]></category>
		<category><![CDATA[recenzii]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Robert Cummings]]></category>

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		<description><![CDATA[&#8220;&#8230;is that you, darling?&#8221;
Cred ca marele dezavantaj al autorilor de thriller din zilele noastre este acela ca Alfred Hitchcock a folosit deja toate procedeele de a mentine suspansul in randul spectatorului. Dial M for Murder este un exemplu perfect in acest sens. Actiunea se desfasoara in cateva decoruri, in poveste sunt angrenate putine personaje si totusi ne bucuram de un adevarat spectacol in care emotiile ...<p><a href="http://www.cineblog.info/dial-m-for-murder-1954/">Dial M for Murder (1954)</a> is a post from: <a href="http://www.cineblog.info">Cineblog</a></p>
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		<title>La strada (1954)</title>
		<link>http://www.cineblog.info/la-strada-1954/</link>
		<comments>http://www.cineblog.info/la-strada-1954/#comments</comments>
		<pubDate>Tue, 06 Oct 2009 05:15:37 +0000</pubDate>
		<dc:creator>Alexandru Ţîrdea</dc:creator>
				<category><![CDATA[Dramă]]></category>
		<category><![CDATA[1954]]></category>
		<category><![CDATA[Anthony Quinn]]></category>
		<category><![CDATA[capodopera]]></category>
		<category><![CDATA[Federico Fellini]]></category>
		<category><![CDATA[film italian]]></category>
		<category><![CDATA[filme bune]]></category>
		<category><![CDATA[Giuletta Masina]]></category>
		<category><![CDATA[Oscar]]></category>
		<category><![CDATA[recenzie]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://www.cineblog.info/?p=5762</guid>
		<description><![CDATA[Opera lui Federico Fellini poate fi impartita foarte simplu in doua mari categorii: filme pe care si-a dorit sa le faca si filme pe care le-a realizat pentru ca apoi sa poata crea peliculele din prima categorie. Relatiile lui Fellini cu producatorii au fost mereu foarte bune. Imaginati-va ca Angelo Rizzoli i-a lasat un buget impresionant pe mana in conditiile in care Fellini nu avea ...<p><a href="http://www.cineblog.info/la-strada-1954/">La strada (1954)</a> is a post from: <a href="http://www.cineblog.info">Cineblog</a></p>
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